Vova Galchenko juggling "That Old Pair of Jeans" video

topic posted Tue, June 13, 2006 - 9:49 AM by  offlineKim
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Choreography and scene shots are pretty nice on this one. I wonder when the first non-juggler friend will send me this one.

"That Old Pair of Jeans" Music Video Contest Entry
The Greatest Hits: Why Try Harder
Fatboy Slim
Juggling by Vova Galchenko
Directed by Mark Bakalor
www.youtube.com/watch
posted by:
Kim
online Kim
Sacramento
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  • Wow, nice. I dig the shots from above.
    • FYI- the contest to get in the video is open to everyone.

      p206.ezboard.com/fnycjuggl...howMessage has more info and a link.
      • Right, so sorry for the multiple posts here, but I just watched the video. It's terrible! I mean, the juggling is good, technically speaking, but uh, it's just Vova juggling with the song dubbed over. You could switch his head out for Jason Garfield's or Ivan Pecel and get the same effect. He's not doing anything to the rythm of the music and he's not even wearing jeans! No art, no soul, just a kid juggling.

        Oh, and um...did I see pecs? Is he legal yet?
        • "Oh, and um...did I see pecs? Is he legal yet?"

          www.galchenko.com/About_us_new.htm

          Yup.. he's legal.. great and funny guy [laughs/smiles alot when not performing]... and, doh, has a gf..
          ......now, Olga on the other hand.... 777 days and counting... [for the US at least]

          :) oh, and fwiw, I gotta say that watching Vova juggle to that song is equally matched to the music as, say, Bliss [it's like syncing music to fireworks... ha!], but I prefer watching someone competant rather than one who makes my lower back hurt while watching. literally.

          Oh, I wholeheartedly agree that Vova shoulda friggin wore a pair of jeans for the vid! I mean, how simple is that to get?? :)
          • he's good but he's boring..

            there were a few interesting bits but they were few and far between... they should have played more with the interesting filming instead of just juggling numbers for half the clip. he bopped a little lol but it would have been nice if he'd had a bit of a real dance lol.. still. i enjoyed it more than bliss, and for that matter more than watching jason garfield.
          • Vova and Olga have frequented the NYC juggling scene since they've come to the US. Olga is close with the daughter of one of my good friends, Sky King. Both kids stayed with Slammin Andy for a week at one point, can't remember when or why though. I'm pretty familiar with their personalities, at least as they were a year or two ago, but they're kids and change a lot...good gawd at least I hope so...and I was definitely teasing about the pecs...a smile would look much nicer on that kid than pecs.

            In any case, the best work I've ever seen them do was their performance in the public show at the Buffalo IJA. They re-did their competition number, but reversed rolls...and costumes. It was adorable, and it was the first time I saw either of them look relaxed and happy while juggling. In fact, it was the first time I ever saw Vova look relaxed or happy at all.

            Technical juggling is interesting for about, oh, a minute. Unless you're a technical juggler. Which audiences are not. You can be the greatest tech juggler in the world, but if you don't give any of your personality to the people watching (not including WJF judges) then there's no point being in front of an audience.

            I have been so unbelievably chatty lately...ramble, ramble, ramble...
            • "Technical juggling is interesting for about, oh, a minute. Unless you're a technical juggler. Which audiences are not. You can be the greatest tech juggler in the world, but if you don't give any of your personality to the people watching (not including WJF judges) then there's no point being in front of an audience."

              I dunno here.. we had a blast joking and interacting with everyone (yes, Vova too) at last year's WJF - just not during the filmed competitions where we all (attempted) to remain fairly serious and professional tv-style audience and whatnot.. I speak mostly of the exhibitions which were essentially folks hanging out watching a person go thru their practice routine and such.. many jokes and laughs were had by all, and the performers (and friends) enjoyed calling out other tricks for them to do: "ok, now do the same but with the 4's as alberts", "what about a 5up 360 immediately into backcrosses?", "sure, you can do a 5 up 720, but what about a 1080?", "do it with a head bounce!", and so on. Of course, some folks did it more Q&A style, others did hip shimmies to the song "walk like an egyptian" while doing 5 club back crosses... Others showed the new tricks they were working up to performance level, and others encouraged/advised accordingly..

              meh, I'm comfy with the fact that not everyone would agree with anyone else's opinion, and it's become painfully clear that alot of folks are trying to directly compare "performers that juggle" to "jugglers that perform"...which, they will simply never see eye to eye on who is "better".

              am I a technical juggler? well, I have been known to do that sort of thing.
              am I a performer(or dare say: clownish type)? sorta - folks always laugh at my patter during a show.
              am I a dancer that juggles [like Vladik and such]? um..ok, so I can't dance, but I don't stand perfectly still either, especially if there is some live african rhythm music being played. I gotta say, unlike Jason, I think it looks bad if someone's standing still *all* the time. Sure, there's turns, rotations, 180/360/etc's, but that's just too dry for anything more than a few minutes of show-off competition [which is exactly where that behaviour belongs, and it shouldn't be confused with a performance by any means]. OK, so when I was young I got to juggle with folks like the Mud Bay Jugglers, Flying Karamazovs, and Rhys Thomas, so I have a bit of a twisted slant on what's fun juggling [for me to do...if folks wanna watch me have fun, that's fine too]. :)

              ...now you got me rambling.. :) night!
              • The more I think about the tech vs performer dabate, the more I see a communication gap. A tech juggler ( or tech poi spinner ) who has a little personality may mierly have stage presence. I think stage presence is halfway point between strict tech juggling (Jason Garfield) and performance juggling (Chriss Bliss, Karamazof, Rhys Thomas).

                Whaddya think?
                • Performing is about the audience. Take david blaline (at least a younger david blaine) He could take a $6 trick and completely astound anyone he was in front of. The trick wasnt that amazing, but he made it so. On the other hand there are master magi that can do 8 forms of the same vanish, all incredibly difficult, and very different. To a magician this would be something to watch, but everyone else he's just repeating himself. Its gets boring if you cant get your audience into it. There is a wow factor to a lot of the technicle stuff, but after a while it wears off and you get bored. A good performer (not juggler) is able to wow you with anything. He can make you happy buy doing a cascade with his hands over his head. He gets you into it, and seems to make you apart of the show. In that respect, I think the video has some amazing juggling, but did I get bored? Yeah. Would I rather watch someone doing some simple 3 ball tricks with a smile? Yeah. Does that mean thats the only viewpoint you can have? No. Everyones different, and we'll all intrepret things differently as well, so take this post with a grain of salt (whatever the heck that means :P)
                • I think you fleshed out the overlap spectrum fairly well:
                  - dry, pure juggling {show=99+% juggling}
                  - some wit, humour, talking, shimmies {show=80-99% juggling}
                  - more talking, jokes, little dances, flashy stuff [running around] {60-80%}
                  - long talking setups, big divergences, lots of audience interaction {35-60%}
                  - big long stories, build ups that last 'forever', etc {10-35%}
                  - juggling as a finalé, an act opener, or other general throwaway moment in a full act of something else {<10%}

                  Sure, one can do technical juggling {siteswaps people can't comprehend, more numbers than folks can count, etc} anywhere in that spectrum. Sadly, the vast majority of the bottom of that curve are usually stretching because they ned to pad out their acts as their skill can't hold the show itself, or they can't talk while they perform. Are there noteable exceptions? hell ya! Karamazovs, Rhys, and so on are great examples of this. Are there way too many street busker types that can only barely do 3 that put on 3hr shows and juggle for about 10min total? yup. Would I want to watch them? nope. would others? yup, there's usually a crowd with thier kids around folks like this and all seem to be smiling.

                  bah, I gotta run errands.. good start on nailing the distinction/communication gap!! :)
                  • This is the maximum depth. Additional responses will not be threaded.
                    You mentioend "hold the show" Crizzly. Is it just me or does it seem that some jugglers that are more tech tend to drop more? Sure I understand that technicall they are attempting much harder skills, but I'd almost venture to say that calling yourself a performer and being too tech, and dropping a buch kind of screws up the boundries. It appears acceptable for a technical juggler to drop a fiew during a show at a juggling festival, i.e. audience full of jugglers, but the general public may not like it. On the opposite spectrum, Chris Bliss will do his infamous routine at the drop of a hat perfectly, no drops. I find myself laughing at those that like to mock him with their own videos of tech juggling, but they have to edit out all their drops. Performers perform and practiced piece, whereas technical jugglers are constantly in a state of "Im still working on it, watch me and I'll call it a performance."
                    • I have seen Vova and Olga grow for the past three years. I saw them perform at the Humboldt Juggling Festival in 2004 and there acts have been going downhill since then. I think that Jason is expecting to get paid to compete as an athlete, not to perform. I am sorry that Vova and Olga are losing their potential as performers because of pressure to compete.

                      I have found that when you are performing on the street that you have to do everything that you can to keep the audience paying attention. I think that one of the least likly methods to attract a crowd is to try your hardest tricks and drop all the time without saying a word. I do notice that throwing the props high into the air helps to gather a crowd. I would also like to mention that basic theatrical training and knowing how to create a character helps any performance.

                      I performed busking with Matt Hall at Reggae on the River. Matt had never street performed or busked before. It took him a while to break out of the Juggling Festival mode and to figure out what the audience wanted to see. Once he worked out the right sequence of tricks and added some patter he raked in the dough.

                      As a member of Clowns Without Borders I am not concerned with technical performing. I give it all up to the audience, in hopes that they might, for a brief moment, be relieved from the monotony and absurdity of everyday life.

                      XOX,
                      Shea FreeLove
                      • "I have found that when you are performing on the street that you have to do everything that you can to keep the audience paying attention."
                        "Once he worked out the right sequence of tricks and added some patter he raked in the dough."
                        "I give it all up to the audience, in hopes that they might, for a brief moment, be relieved from the monotony and absurdity of everyday life."

                        I gotta say, for me, associating one's performance for others and throwing money into the equation would basically make me feel like a street walker/prostitute. I'd much rather have that sort of moment [ie: your last line above] where I did it solely out of the goodness of my heart than to get a little cash... I guess the idea of wandering the street looking for a good place to pick up an audience and get a little money after turning out a few tricks [uh.. that analogy works a bit too well] just disgusts me compared to someone booking an actual performance ["come to our venue and be (part of) the show" sort of thing].

                        Again, that's just how I feel, and thus why even tho I'm broke after being laid off last year, I still won't busk, but will do [and have done] shows for folks. Strange distinction, eh? lol.. Cheers all, and be happy with what works for you! --Crizzly
                        • Oooh theres another fine line, performing for performance sake and taking money for your hard work. I have to tip toe this line just like the ego vs humbleness line. I simply love to perform, but when your busking i.e. an improv show including the audience, I simply love that part of performing. Afterward when your passing the hat, people like to give you money because it gives them a chance to give back, more than just applause, it actually allows them to connect. Do I need that money? Hell no, I do quite well for my self in my real life job, but that busking money buys a right tasty milkshake. The other part of that line, is when people refuse to perform unless their being paid. There is a time and place for busking, and a time and place for a juggle jam with the firends where people can watch and enjoy evesdropping into our little world. That flexability keeps me form becoming a full time professional performer, I like to keep it for fun.
                          • 2 differant _Chris Bliss_ reactions::::::::::::::::::::::::::::::

                            Juggle Jock........ That guy cant even juggle, I could do that in my sleep . Bad music!!! This sucks and puts juggling in a bad light.


                            Entertainer(circus vaudville, corporate).......Oh great!! The bookings will increase, I can charge more.
                            The Beatles! Ingenious. The crowd ate it up, a very theatrical piece indeed! Why didnt I think of that. Good routine with minimal worry of droppage(A Corporate death slow and sure!)

                            Busker>>> I can keep an audience with three balls?
                            All right!! I can sell my knives and clubs and buy some pot! My pack will be lighter!!
                            • Doing whore performances allows one to have time to perform for performance sake. You can work a 9-5 job at a desk to make your living and perform for fun in your spare time, or you can make balloon animals for a bunch of screaming rich kids and make the same amount in half the time allowing for even more free time to perform for performance sake. Anybody out there who thinks that they can make a living performing for performance sake is, IMHO, deluded. Everyone tailors their performance to be what they think their audience will like- whether that audience is a crowd of world-class jugglers or a crowd of tourists on the street. If you're doing it for judges, you're doing it to win. If you're doing it for an audience, you're doing it to make money. What's the difference?

                              It's unlikely that many performers will do something they hate for very long, and if they do, they probably won't be able to maintain it because their discomfort would bleed into their performance and destroy it. You do what you love, but you pick the stuff you know other people will love to take public.

                              My hope, after I reach my goals over the next year or so, is that I can be a corporate/party whore a few times a month so that I can afford to be part of the Clown Care Unit and Clowns without Borders- organizations that allow you not only to perform for performance sake, but for the sake of helping your community and changing the world (at least from what I know of them so far). It's all about balance.
                              • I am such a newbie to performing for cash that I cannot understand calling myself a whore.
                                now if I was Cyn....... ;-) just kidding.
                                I guess there is some artistic elitist attitude about _who_ you make happy.
                                The corporate types may need us as much as a child in chemo.
                                Some may have a hard time deciding who is in worse shape.
                                If I had to pick an audience it would be a large Mexican family on a early Sunday afternoon.

                                Cyn, I may see you 3-5 days a week this fall!! We may share some kryolon.
                                who knows, my situation is special. so they have to 'mull it over' before I am accepted.
                                With you and I in the same class, this maybe a steller year.
                                • there are some of us who dont want to work for other people
                                  whats wrong with working the streets?
                                  I think it is just plain silly to associate buskers with some kind of prostitution
                                  Some of us work the pitch not just cause it is fun but cause you can live off it too
                                  whats better than working for yourself and doing what you love?
                                  And there is nothing wrong with thinking about money. Go ahead I dare you
                                  We all end up thinking about cash one way or another, Dont tell me everyone one on here lives in a cave, dumpster dives and just happens to have high speed internet access.
                                  If busking is just another whore job than I am perfectly willing to show some leg.
                                  Im not saying we should all just settle for less and take to the streets after learning a nice three ball cascade, but hey if you can live off it why not. Not everyone has the personality to carry a show. Street shows are not about being the best, they are not about competition and they are not a sport. They are entertainment/art which is generally based on what people want to see not what the performer truely wants to perform
                                  I juggle in the gym when i want to pull off that pirouette or work on those 5 club backcrosses
                                  But on the streets most people think that single spins are easier than double spins.
                                  you ever try 5 club singles? hard
                                  Jokes and humour allow an audience to connect with a performer sooooooooooooooooooooooooooooooooo much more than any amount of incredible juggling feats with very few exceptions.
                                  Example
                                  A friend and I performed a simple routine with fire props at The OCF
                                  the routine involved very little actual learned prop manipulation and was based on visual gags and a few stunts and funny gestures
                                  we killed
                                  After the show fellow performers who had done routines that were more of the traditional fire show(sexy flashy) complimented us heavily. We were even told that other performers had to reference our routine in order for people to remember theirs.

                                  connection with the heart and mind not the groin ;) (although if your groin is disconnected plug it in) you may miss out on a ferw good gag oppurtunities
                                  okay Im through
                                  peace
                                  Dave Clay
                                  • >>> (disconnected plug it in) you may miss out on a ferw good gag oppurtunities <<<

                                    That's hilarious on so many levels...I hope to see you on the playa, or maybe in Portland this year?

                                    Hernan- GOOD LUCK! I'm rooting for you, would be nice to "know" someone before I get there. I'll send you a private message!
                                    • Erin Stevens made a video for that tune too I beleive, and at least she's got looks and personality. 7 clubs don't matter to most people.
                                      • You claim that Erin Stephens gots looks, but that's only because she is female; so she has a bust, big deal. Having looks is a gift, not a talent. Personality? where? I can relate more to Vova than Erin. Some can relate to Erin more. She did ok, but anyone can do balls, clubs are harder, especially 7 of them. And 7 clubs DO matter to most people. Only the most stuck up out-of-touch people would claim they are unimpressed with 7 clubs. I cannot believe anyone would even dare to say something so ludicrous on a page about juggling. So we have the same song, and juggling for visuals. One juggler does seven clubs, the other juggler has a bust. Seems that in the juggling realm only one criterium even qualifies to be used.
                                        Vova's video at least was shot well, and the style used didn't need flashy jumping around and smiling all the time as in this go around: youtube.com/watch (the opening is the same as another video, but the juggler is different)
                                        That guy even wore jeans. And what's the deal with jeans? As if they would magically appeal to every human on the planet.

                                        Audiences are different, some like performances, some don't. I tend to dislike most performances, because they distance me from the performer. They try to make themselves some character on stage, a fictional performer on an island far from reach. Watching someone display technical achievments without all the bling makes them a real person to me. Someone who drops, makes mistakes and laughs about it, picks up and trys again. Not some fake poser in a clown suit. Others prefer the performance, that's fine with me. We all like what we like.
                                        In the U.S. everyone expects to be entertained, no one has an appreciation for the art or mastery of a skill.

                                        The solemness to Vova's video contrasts with the song quite nicely, and the visuals are very appealing. The video was also done technically well, which is more than some other videos to the same song can say.

                                        If you want personality and synch then check out this one: www.youtube.com/watch

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